I wrote Manchester Victoria Station for a poetry publication in college. The critics of the publication said there was a tragedy and desperate longing in the poem. I agree, and that stinking hopelessness really is there, because that's what I thought a lot of things were - hopeless. I've never even been to Manchester. It's ironic that I would write a "love" poem about it, though, because putting the thoughts into words confirms something, not sure what, maybe the existence of that actual hope of going there someday and having the conversation. It's all forgettable and memorable at the same time. So utterly and despicably sentimental.
I haven't written a poem in two years. Now, I don't think every thought and sentence has to be poetically unforgettable and sentimental. Not that all poetry is like that or should be. But, the sappiness of my old words has probably disappeared because reality slapped it right out of me. Sometimes, though, I still think in measure, iambic pentameter, and hopeless romanticism. But that's rare now, because I realize actual love isn't held together by these things.
Our kneecaps touched on the train.
A five-hour surge soda
pulsed through my veins,
at the touch of our denims
Your lips fluttered,
smooth and jagged at once
while stories spilled out and
laughter echoed them apart
Mine put to shame,
as they were bitten
and trembling
I felt your big-hearted blue eyes
wash over me
as
I
stepped
off the stool and
onto the brick.
Your warm hand
on the small of my back
the fog of air from your mouth
hazing me closer
I could only hear the song of
the tickle of our eyelashes
And your smile
draping the rims of my mouth
And our kneecaps tapping gently
as
your heat filled my lungs
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